The year is 2509 and not only has Earth lost contact with the Ishimura and Isaac Clarke, but now also the USG O'Bannon, the first responder ship sent to rescue them. Four crew members of the O'Bannon have survived. But what happened to the rest of the crew? What were they doing? What secrets are they keeping? All to be revealed...in the Aftermath! --- Dead Space: Aftermath is a fast paced, horrifying thrill ride told through the perspective of the four survivors by several renowned international directors. Dead Space: Aftermath is an animated film that bridges the storyline between the video games Dead Space and Dead Space 2.

On a deep space mining mission to a remote planet, an ancient religious relic - thought to be proof of the existence of God - is unearthed and brought aboard. When the unholy artifact unleashes a long-dormant alien race, its glimpse of Heaven transforms the ship into a living Hell. A prequel to the events of the 2008 video game Dead Space.

Desperate to save their marriage, a young couple takes a deal to move into their dream home, but disturbing events reveal the house's troubled history.

In a new, predatory ice age, two brothers search for a place to call home.

The Copeland family battle for survival when civilization comes to an apocalyptic end, triggered by massive storms, meteor strikes, earthquakes, a plague - and the rise of supernatural creatures.

A young married couple has to deal with their emotional breakdowns after the death of their only daughter.

Searching for a happy ending to a tale of unimaginable disaster and horror, nine strangers find themselves holed up together in a farmhouse cellar in rural Texas. The United States has hastily become embroiled in World War 3. A young doctor named Hunter survives the nuclear attack and is thrown together by happenstance with a group of wounded and frightened victims, including Elizabeth, a strong-willed confidant to Hunter, Brad - an antagonistic redneck jackass, and Jennifer, a barely coherent young woman suffering from severe post-traumatic stress. Together, they attempt to endure the devastating holocaust as they struggle with claustrophobia and conflicting personalities. In a makeshift shelter, Hunter and his dying companions wait for news from the government while fending off hunger, radiation sickness, and a horde of frightened and dying refugees

Aftermath is a supernatural crime drama based on the popular Naver webtoon by Kim Sun Kwon ("Survivors of Those Days," "K Errands Center"). It is a thrilling story of murder, mystery, and love that was made exclusively for Naver TVCast for viewing on mobile devices. Ahn Dae Yong (Dong Jun) is a quiet high school student who suddenly develops the super power to predict who is a murderer and who is about to die. Those who appear to have red eyes are destined to die soon, while those with blue eyes are about to commit murder. Ahn Dae Yong decides to use this power to save lives and becomes an unexpected hero for the people.

Aftermath is a supernatural crime drama based on the popular Naver webtoon by Kim Sun Kwon ("Survivors of Those Days," "K Errands Center"). It is a thrilling story of murder, mystery, and love that was made exclusively for Naver TVCast for viewing on mobile devices. Ahn Dae Yong (Dong Jun) is a quiet high school student who suddenly develops the super power to predict who is a murderer and who is about to die. Those who appear to have red eyes are destined to die soon, while those with blue eyes are about to commit murder. Ahn Dae Yong decides to use this power to save lives and becomes an unexpected hero for the people.

A heterogeneous tetralogy of personal profiles brings together four individuals from different corners of the world of art – pianist and entertainer Fats Waller, painter Jackson Pollock, photographer Janieta Eyre, and painter Frida Kahlo. The ambient collage of turbulent social conditions is infused with intimate moments of artistic immersion. Hypnotic images vibrate with a captivating approach to the subjects’ individual lives. Hoolboom combines documentary footage and re-enactments with experimental collage. Sped-up footage, weightlessly floating cameras, VR, found footage, the patina of 16mm films – all of them tools for redefining the genre of cinematic portrait. 　　„The movie poses this question: how to survive in the aftermath, of the state, of the state of your family, of your body. Artist examples are offered. Perhaps only in the act of doubling, in a crowd scene, can I find this thing I call myself.“ M. Hoolboom